The CONSOCIATIO INTERNATIONALIS MUSICAE SACRAE: its path through history
During the Second Vatican Council, on November 22, 1963, on the feast of St. Cecilia, and on the very day of the vote on the Constitution on the Holy Liturgy, Pope Paul VI, through his handwritten Chirograph Nobile subsidium Liturgiæ, canonically erected the International Society of Sacred Music (CONSOCIATIO INTERNATIONALIS MUSICAE SACRAE) – CIMS – with its headquarters in Rome.
1961 Congress in Cologne
Fourth Congress, 1961: Pontifical Mass of the Apostolic Nuncio Corrado Bafile, in the Cathedral of Cologne, June 29, 1961 (Photo: Theo Felten) The choir of the University of Sacred Music in Regensburg, conducted by Karl Schmid, sings at the pontifical Mass of the Apostolic Nuncio (Photo: Theo Felten) Jos Lennards leads more than 1,200 children of the Dutch and Belgian Ward Movement at the Gregorian Pontifical Mass in honor of St Albert the Great in Cologne on June 24, 1961 (Photo: Theo Felten) Pontifical Mass in the Russian-Slavic Byzantine Rite, Cologne, June 24, 1961 (Photo: Kurt Gelsner) P.G. Proksch SVD with his dance group from Mumbai (Bombay), India Photo: Kurt Gelsner
On March 9, 1964, Cardinal Secretary of State Cicognani informed Mgr. Professor Johannes Overath, expert (“Peritus”) at the Council and General President of the General Federation of Cecilian Associations for the German-speaking countries, of his appointment by the Pope to the post of President of the new CIMS. The Pope expressed the desire that this new International Society, placed under the patronage of the Cardinal Prefect of the Roman Congregation for Divine Worship, should play an advisory role in the field of Sacred Music to the bishops and episcopal conferences of the universal Church.
1962-1965 Vatican Council II
Msgr. Higini Anglès i Pàmies and Msgr. Johannes Overath present to Pope John XXIII the documents of the Cologne Congress for the preparation of the Second Vatican Council. (Photo: Felici)View of the assembly of the Fathers during the Second Vatican Council. (Photo: Giordani)
A historical document: The Second Vatican Council’s Commission on the Sacred Liturgy atop the roof of the Congregation of Rites, Rome. First row, seated: Giacomo Cardinal Lercaro (4th from the left), Arcadio M. Cardinal Larraona (5th from the left); Front row, standing: Dom Cesare d’Amato, OSB (3rd from the left), Fr. Fernando Antonelli, OFM (6th from the left), Dom Jean Prou, OSB (7th from the left); Back row, standing: Msgr. Johannes Overath (far left), Msgr. Higini Anglés i Pàmies (6th from the left), Msgr. Johannes Wagner (3rd from the right)
Msgr. Johannes Overath (far left), peritus at the Council and first President of the CIMS, during the third session of the Second Vatican Council, September 23, 1964 (Photo: S. Appetiti)
This decision was taken in the context of previous International Congresses of Sacred Music that had been convoked by the Holy See: in 1950 in Rome, in 1954 in Vienna, in 1957 in Paris and in 1961 in Cologne (internal link to the votes), which now had to be continued. The following congresses were those of Chicago-Milwaukee in 1966 (in preparation for the 1967 Roman Instruction Musicam Sacram for the application of the Council’s directives), Salzburg in 1974, Bonn in 1980 and Rome in 1985.
1966 Fifth Congress in Chicago-Milwaukee
Opening of the 5th Congress in Chicago-Milwaukee, August 25, 1966, in the Milwaukee Auditorium.
Press conference with the CIMS President Msgr. Overath (center), Fathers Richard Schuler (left) and Father Hermann-Josef Burbach (right)
Mgr Miranda y Gomez (Mexico) avec Mons. Robert Hayburn au 5ème Congrès à Chicago-Milwaukee
Bishop of Miranda y Gomez (Mexico City) with Msgr. Robert Hayburn at the 5th Congress in Chicago-Milwaukee
Boys’ Choir directed by Ted Marier; Tony Newman on the Organ, Chicago-Milwaukee
Father Richard Schuler as Director
John Biggs (left) welcomes Father Robert Skeris to the Milwaukee Convention
Hans Lonnendonker (left) with American Choirmaster Roger Wagner (right)
Closing Ponitifical Mass at St. John’s Basilica in Milwaukee
Closing Ponitifical Mass at St. John’s Basilica in Milwaukee
Previous Symposia, which had already taken place in Salzburg in the 1970s on the most diverse current topics, continued over the following decades in cities or spiritual places such as: Maastricht, Leuven, Le Mans, Rome, Bolzano, Fontgombault, Marseille, São Paulo, Washington DC, Augsburg, Prague, Chartres, Beirut, Rio de Janeiro, Lublin, Avignon and Lyon.
Audience with Pope Paul VI in 1969

1973 Tenth anniversary of CIMS in Rome
Msgr. Overath together with the new CIMS President Jacques Chailley (left) and the first Secretary General of CIMS Fr.José López Calo S.J. Msgr. Overath with the new President of CIMS Jacques Chailley (left)
1974 Sixth Congress in Salzburg
Msgr. Johannes Overath during the preliminary discussion for the 6th Congress in Salzburg in 1974 with the Choirmaster Msgr. Georg Ratzinger and Max Baumann (left) as well as Josef Zimmermann and Anton Saladin, Praeses of the ACV Leading personalities of CIMS in the church concert in Salzburg (Photo: Sturm) Leading figures of CIMS during the church concert (Photo: Sturm) Thanks to the new Ostpolitic, church musicians from the Eastern Bloc countries were able to participate for the first time in the CIMS Congress in 1974; here the Archbishop of Poznań Anton Baraniak with the dean of his cathedral Gerard Mizgalski (right)) (from left to right) Franz Poloczek, Prague / Cologne, Prof.Dąbrowski, Zdzisław Bernat and Krzysztof Wilkus from Poznań Children from different Ward schools in England and France playfully demonstrated their high level of musicianship at the 1974 Congress in Saltzburg Msgr. Franz Kosch (Vienna) with Dom Eugene Cardine OSB (Solesmes/Rome) (Foto: Sturm) Father Robert A. Skeris with Dom Eugene Cardine OSB (Foto: Sturm) Erich Schulze (left) member of the Board of Directors and Managing Director of GEMA, at his reception on the occasion of the awarding of the Richard Strauss Medal to Karl Gustav Fellerer (right) in Salzburg
Thanks to the preparatory work for the first Ethnomusicology Symposium in Rome in 1975, the Institute for Hymnological and Ethnomusicological Studies (Link to subpage) in Cologne was founded in 1977, with workstations in connection with the library and archive center of the Villa Reuter (“House of Sacred Music”) near the Benedictine Abbey of Maria Laach.
1975 I. Symposium of Ethnomusicology of the CIMS in Rome
Visit of the participants of the 1975 colloquium on the tomb of Saint Pius X in St. Peter’s Basilica in Rome Villa Reuter in 1978 in Maria Laach: Workplace of the new institute for hymnological and ethnomusicological studies (Foto: K. Frett)
1979 Private audience of Mons. Overath with Pope John Paul II

The research focus of this institute at the time in the field of African ethnomusicology and the geographical proximity of its headquarters suggested the choice of the location and the program of the 7th International Congress in 1980 at the Bonn Science Center. In 1981, a Symposium on the theme of Sacred Music in Brazilian Culture was held in São Paulo with the foundation of the new Brazilian Society of Musicology.
1980 7th Congress in Bonn



In 1983, a particularly important Colloquium was held, in collaboration with the Ward International Movement, on Gregorian chant and musical education, at the Catholic University of America and at the National Shrine of the Immaculate Conception in Washington, DC.
1983 Symposium on Gregorian chant in Washington, DC
Theodore Marier with boys from the Archdiocesan Choral School and Ward Center in Boston, Massachusetts. (Foto: Foto: Nick Crettier)
Ted Marier in conversation with Roger Kahrt during a rehearsal break at the Symposium in Washington D.C.
Roger Kahrt conducts the Choir of the Saint-Pierre-aux-Liens Church, Bulle (CH)
Liturgical drama at the National Shrine of the Immaculate Conception, Washington D.C.
Solemn Mass in the crypt of the Basilica of the National Shrine in Washington D.C.
Presentation of the President’s Medal to Dom Jean Prou (3rd from left), Msgr. Overath (3rdfrom right) and to the Vice Rector and Dean of Graduate Studies at The Catholic University of America, Msgr. Frederick R. McManus (far right) through the Apostolic Nuncio to the United States, Archbishop Pio Laghi (center) at the 1983 Symposium in Washington D.C.
Thirty-five years after the first Congress, the 8th Congress returned to Rome in 1985, on the occasion of the European Year of Music. During this Congress, the new headquarters of the Pontifical Institute of Sacred Music (Pontifical Academy of Sacred Music), Via di Torre Rossa, 21, was inaugurated by Pope John Paul II, on the site of the Benedictine Abbey of St. Jerome, formerly founded by Pope St. Pius X in 1911, and whose main task was to complete the critical edition of the translation of the Vulgate of the Bible. The CIMS has, since its foundation, had its legal seat in this Pontifical Institute, whose former address at Piazza San Agostino 20 A (site of a historic festival hall), not far from Piazza Navona, is still legally in force. For this reason, in 1988, the 3rd Symposium of Ethnomusicology was held at the new headquarters.
1985 8th Congress in Rome
Cardinal Ratzinger opens the 8th Congress in 1985 with his fundamental speech on the Liturgy and the Musica Sacra at the Augustinianum in Rome View on the auditorium … …thanking him warmly; (front right) the former German President, here in his role as President of the European Year of Music 1985 The podium during a working session: (from left to right) Dom Jean Prou of Solesmes, Gabriel M. Steinschulte, August Everding (general manager of the Bavarian State Theater), CIMS vice president Karol Mrowiec, Msgr. Johannes Overath The former Abbey of St. Jerome in Via di Torre Rossa in Rome, where the Pontifical Institute of Sacred Music (P.I.M.S.) will have its own church and suitable rooms in 1985 Greeting address of the host and CIMS president to Pope John-Paul II on the occasion of the inauguration ceremony of the P.I.M.S. in Rome Egino Weinert, the creator of the new bronze altar canopy in the church of the Pontifical Institute of Sacred Music, is presented to the Pope by Msgr. Overath Solemn Mass to conclude the 8th Congress in Montecassino
Varia


The General Assembly was then held in Augsburg in 1990, due to the high liturgical and artistic level of the infrastructure of the place and its exemplary character in terms of sacred music. In 1992, the Second International Symposium “Sacred Music and Brazilian Culture” was held in Rio de Janeiro to mark the 500th anniversary of the discovery of America. It was the starting point of a vast research project of several years on the musical culture of the Indians of Latin America, particularly of the Amazon region, under the direction of Antonio A. Bispo, which was made possible with the support of the German Foreign Office. The fruits of this research were presented, in Portuguese and German, in four double volumes of the annual books Musices Aptatio, published by CIMS from 1994 to 2001.
1992 Symposium in Rio de Janeiro
Opening ceremony of the Symposium on April 22, 1992: after the final improvisation of Albert Richenhagen at the organ of the concert hall “Escola de Música” of the U.F. in Rio de Janeiro Working session of the CIMS Symposium in Rio de Janeiro At the Benedictine Abbey of Saint Benedict in Rio de Janeiro Closing Mass at the Monastery of Saint Benedict in Rio de Janeiro with the participation of various choirs from São Paulo, Petrópolis and Rio de Janeiro
1994 Symposium in Prague
Petr Eben addresses the participants of the 1st CIMS Symposium in a former Eastern Bloc country in 1994 in Prague
Jan Boogaarts with Marie Nováková, the on-site organizer of the Symposium
Petr Eben in conversation with the abbot of the Premonstratensian monastery in Strahov, Michael J. Pojezdny, and the long-time organist of the Prague cathedral, Otto Novák
Erich Weber (center) speaks about the Instruction Musicam Sacram of March 5, 1967; (left) Msgr. Overath, (right) Petr Eben
The Apostolic Nuncio in Prague, Archbishop Giovanni Coppa, enters the Basilica of Strahov for Mass
1996 General Assembly in Montecassino



1997 Symposium in Lagos (Portugal)
Paço dos Duques, Guimarães: After starting in southern Lagos, the second part of the symposium begins here in northern Portugal
View of the auditorium
At Cabo da Roca, the westernmost point of mainland Europe: (from left) CIMS President Louis Hage, Secretary General Pierre Blanchard, Albert Richenhagen (Cologne/Berlin) and Fr. Armindo Borges from the Azores
After the 1995 General Assembly in Montecassino, the focus was on the Near and Middle East. From 1998 to 2004, three International Symposia were held at the University of the Holy Spirit in Kaslik, north of Beirut, and were devoted to the following themes: “The Holy Spirit in the Sacred Music of the Churches of the East and West”, “Improvisation in the Sacred Song of Christianity and Islam”, and, concerning the particular questions of oriental music, “The Musical Work, Musicological Reflections and Consequences for Copyright”.
1998 Symposium in Lebanon
Reception of the participants of the CIMS symposium by the President of the Lebanese State Elias El-Hraoui at the Presidential Palace of Baabda
Participants of the Symposium on the campus of the Holy Spirit University in Kaslik
Participants of the symposium together with Cardinal Gagnon in the garden of the Apostolic Nunciature in Lebanon
The Honorary President of the CIMS, Msgr. Johannes Overath, at the lectern
Visit of the Maronite Patriarch Butros Cardinal Sfeir
From left to right: Joseph Waked OLM, Gabriel M. Steinschulte, Fr. Louis Hage OLM, Mrs. Khoury, assistant for the organization, Benedikt Steinschulte of the Osservatore Romano and Msgr. Valentino Miserachs Grau in front of the large auditorium of the Holy Spirit University in Kaslik, Lebanon
For the Great Jubilee of the year 2000, the General Assembly was held in the historic Palais des Papes in Avignon, accompanied by a Colloquium on “The Ordinary of the Mass as a Masterpiece between Culture and Cult”.
2000 General Assembly in Avignon
Round-Table discussion led by CIMS Vice President Gabriel M. Steinschulte (3rd from right) on the “Ordinarium Missae after the Second Vatican Council”; from left: Keizo Nagahara (professor at Ochanomizu University in Tokyo), Naji Subhy Hakim (titular organist at the “Trinité” in Paris and professor at the Royal Academy of Music in London), Fr. Louis Hage (here as dean of the music faculty of Holy Spirit University in Kaslik [Lebanon] as well as the first vicar general of the Lebanese Maronite Order), Msgr. Johannes Overath (CIMS honorary president and peritus of Vatican II), and Msgr. Valentino Miserachs Grau (CIMS vice president, rector of the Pontificio Istituto di Musica Sacra in Rome and chapel master of Santa Maria Maggiore).
Archbishop Francesco Pio Tamburrino OSB, as Secretary of the Roman Congregation for Divine Worship and the Sacraments, comments on the “Missale Romanum today”; beginning of the General Assembly on October 20, 2000 in the “Salle du Trésorier” of the former papal palace in Avignon; next to him, CIMS President Fr. Louis Hage OLM
A working session with topics beyond the usual horizon led by the CIMS President: Marlène Wartenberg, Secretary General of the European Music Council, speaking on “European Perspectives in the Year 2000 between Cult and Culture”, on the left in the picture GEMA Director Christian Kröber (“The liturgical-musical masterpieces and the remuneration for the composers in Europe”), on the far right Rüdiger Schumacher, Professor at the University of Cologne and Chairman of the Board of the CIMS Institute for Hymnological and Ethnomusicological Studies, Cologne-Maria Laach (“The Ordinary of the Mass in non-European cultures”)
View into the auditorium during the General Assembly in the “Salle du Trésorier”
A moment after the morning Missa Cantata in the Metropolitan Cathedral of Notre-Dame-des-Doms in Avignon on October 21, 2000, celebrated by Auxiliary Bishop Mieczysław Cisło, Lublin, representing the Polish Bishops’ Conference
In cooperation with the Catholic University of Lublin (Poland), in 2003, an International Symposium on “The History and Present of Sacred Music in Poland” served as a basis for future dialogue with the Slavonic Orthodox Churches on the sacred. In 2005 the General Assembly returned to Rome again with a symposium on “Education and Formation of Secular and Religious Clergy in and through Sacred Music”.
2004 Symposium in Lebanon
Msgr. Francesco Pio Tamburrino with Pierre Blanchard
Panel with the Dean of the National Conservatoire Supérieure in Amman and President of the International Music Council of UNESCO, Kifah Fakhouri (third from right) and the Director General of the Damascus Opera, Nabil Al Lao (third from left); second from left: Manlio Mallia Director of the Italian Copyright Society SIAE (Rome).
Before a meeting in the large auditorium of the University of Kaslik: in the foreground Peter Michael Hamel, (University of Music Munich) and Christian Kröber (Director of the German copyright society GEMA)
Concert demonstration of Middle Eastern music by the classical Arabic music ensemble of the Maronite private university “Université Antonine” (Baabda) at the auditorium of the Holy Spirit University in Kaslik, Lebanon, 2004.
2005 Rome
Opening session of the 2005 General Assembly at the Pontifical Institute of Sacred Music, Rome Opening session of the 2005 General Assembly at the Pontifical Institute of Sacred Music, Rome Opening session of the 2005 General Assembly at the Pontifical Institute of Sacred Music, Rome
Dom Hervé Courau, Msgr. Valentino Miserachs-Grau, Gabriel M. Steinschulte (from left to right)
Paul Terse, Rüdiger Schumacher (speaking), Magnus Gaul, Naji Hakim, Johannes Laas (from left to right)
Three years after Pope Benedict XVI’s Motu Proprio Summorum Pontificum, the new revised edition of the Gregorian Vesperial Missal for the Extraordinary Form of the Roman Rite, with a concordance for the Ordinary Form, is published in 2010 with the Benedictine Abbey of Saint Madeleine du Barroux: the first practical response to this rehabilitation of the traditional Ordo. The Cardinal-Prefect of the Roman Congregation for the Liturgy, Cardinal Antonio Canizares Llovera, did not miss the opportunity to underline, in a substantial preface, the importance of this book for a liturgical renewal, and expressly thanked the CIMS for its support, as the official consultative body of the Holy See.
After some 54 years of research, the Institute for Hymnological and Ethnomusicological Studies of the CIMS, as the legitimate successor of the “Deutsches Kirchenliedarchiv” (German Church Song Archive) in Cologne, has presented at the University of Zurich, in collaboration with the Institute of Musicology of the same University, a scientific edition, in eight volumes, of more than 800 vernacular sacred songs of the German Middle Ages.
2017 Presentation of the monumental edition ‘Sacred Songs of the German Middle Ages’ in Zurich
Laurenz Lütteken, Director of the Institute for Music Science at the University of Zurich, welcomes the participants
Raymond Leo Cardinal Burke during his keynote lecture at the University of Zurich in 2017
The Schola Gregoriana Universitatis Turicensis under the direction of Bernhard Hangartner (far right)
In his message, on the occasion of this event, Cardinal Sarah, as Prefect of the Roman Congregation pro Cultu Divino et Disciplina Sacramentorum, invited CIMS to hold a new General Assembly, especially after the death of its President, Fr. Prof. Dr. Louis Hage of the Lebanese Maronite Order, to elect a new Board. At the same time, Cardinal Sarah also gave the theme of the Symposium that was to accompany this General Assembly, namely the three main timeless criteria valid for all Sacred Music in the Church: sacredness, artistic quality and unifying force. In confirmation of the unanimous election of the General Assembly which took place in Lyon in October 2019, the Abbot of the Abbey of Notre-Dame de Triors, Dom Hervé Courau OSB, the Director of the Institute of Musicology of the University of Zurich, Prof. Dr. Laurenz Lütteken, and the neurosurgeon and musicologist Dr. Jereon Boogaarts, of the Radboud University of Nijmegen, were appointed respectively President and Vice-Presidents, as well as moderators, of the CIMS by the Cardinal Prefect in January 2020.
2018 Consecration of the altar in the oratory of the Benedictine abbey of Triors

2019 General Assembly and Symposium in Lyon
Concert of various vocal ensembles on the eve of the Symposium in Lyon in the Basilica of St. Martin d’Ainay (Foto: P. Steinschulte) Bishop Michel Pansard, representing the French Bishops’ Conference, reads the greeting message of Cardinal Sarah (Foto: P. Steinschulte) Laurenz Lütteken (middle) with Jeroon Boogaarts (left) and Father Uwe-Michael Lang (right) (Foto: P. Steinschulte) Surroundings (Foto: P. Steinschulte) Bogna Bohdanowicz (center) with other Polish participants in the Symposium (Foto: P. Steinschulte) Mons. Valentino Miserachs-Grau (middle) with Dom Jean Pateau, Abbot of Fontgombault (left) and Father Johannes Nebel (Bregenz) (Foto: P. Steinschulte) Surroundings (Foto: P. Steinschulte) Surroundings (Foto: P. Steinschulte) Surroundings (Foto: P. Steinschulte) Surroundings (Foto: P. Steinschulte) Round table discussion at the Symposium (from left to right) Maud Hertz, Gisbert Brandt, Charles Wattebled, Gabriel M. Steinschulte, Walter Marzilli, Rafael Montero Dom Phillip Anderson, Abbot of the Benedictine Abbey of Our Lady of the Annunciation in Clear Creek, Oklahoma (USA) Foto: P. Steinschulte) Requiem Mass for the deceased members of the CIMS at Saint-Martin d’Ainay, celebrated by the Most Rev. Marc Aillet, Bishop of Bayonne (Foto: P. Steinschulte) from left) Mons. Miserachs Grau and Gabriel M. Steinschulte congratulate Jan Boogaarts on becoming an honorary member of CIMS (Foto: P. Steinschulte) The President of the Commission for Liturgy and Sacraments of the French Bishops’ Conference, Bishop Guy de Kerimel of Grenoble, in conversation during a visit to Triors Abbey (Foto: P. Steinschulte) During the final pontifical Vespers, celebrated by Bishop de Kerimel in the abbey church of Triors (Foto: P. Steinschulte) (Foto: P. Steinschulte)